What’s it been like directing 32 Short Plays About Fredericton? How does it compare to previous plays you’ve directed?

It’s been a fast-paced chaotic adventure. I’ve never had to work with that many settings, costume changes and props in a show and I’ve learned A LOT from working on something so maximalist. I have less experience working on comedies so it’s great to sharpen that skill with such a good crew. It’s a little bit scary working on this genre because you really don’t know what you’ve done until you get an audience. We think this is funny, do they? However, much like the show, the journey is what counts and a little faith in the process got us far.

Is there something in particular about the style or subject matter of the play that especially appeals to you?

When I first read the script it just felt very cozy to me (despite the existentialism), like watching cartoons with a bowl of cereal before school. Fredericton became my long-term home after university because of the sense of community I felt. And this play felt very comforting and focused on the fact that it’s the people who make a place special. I also was drawn to the stress the main character goes through where he is trying to gain control and agency in his own story. That’s something that resonated (resonates?) with being in my 20’s. It’s easy to get focused on producing the outcome rather than enjoying the ride so I like how this play is a reminder of that.

You have the unique experience with NotaBle Acts of having the playwright in the room as a director. But in this case, the playwright, Gill Salmon, is playing a role in her own play. What’s that been like?

Amazing! Gill is really good at switching hats quickly and so not only is she a great actor but she also took the time to answer script questions/adjust lines on the fly. It was really exciting having her in the room and working collaboratively with the team on improvised sections and line adjustments. She also MADE that amazing snake puppet so again, I’m just continuously impressed by her hat switching.

Why should every Frederictonian see this play?

This is borderline investigative journalism probably. To miss this show would mean missing out on the secrets of our city surrounding you on every block. If you want to feel closer to your community and know the name of the ghost haunting you downtown then you better get to Mem. Fast.